For six days in March, the historic Park Avenue Armory was transformed into a glorious display of color and design when the American Folk Art Museum presents Infinite Variety: Three Centuries of Red and White Quilts. More than 650 red and white American textiles, the largest quilt exhibition ever presented in New York City, were on loan from Joanna Rose, a private New York collector. Open free to the public, this extraordinary assemblage was dramatically installed in the Armory's 55,000-square-foot Wade Thompson Drill Hall from March 25 to March 30, 2011.
"The American Folk Art Museum took another important step in expanding and reaching new audiences. Through this exhibition and related educational programming the museum continued to augment its core mission and develop new ways of attracting visitors. Since admission to the quilt exhibition was free, it represents a special gift to the people of New York City and beyond," said Maria Ann Conelli, executive director, American Folk Art Museum.
"I am also pleased to announce another significant gift. The collector has generously decided to donate a number of quilts to the museum. Fifty of the most beautiful and historically significant quilts will be selected by our curators," she contiuned.
This superb collection was astonishing not only because of the sheer number of red and white textiles but also because no two are exactly alike. Spanning three hundred years, the designs ranged from dazzling optical effects to fanciful mazes to dynamic zigzag lightning bolts. The patterns are appliquéd or pieced in red on a white ground or white on a red background. The exhibition was organized by guest curator Elizabeth V. Warren, a leading authority on quilts and trustee of the American Folk Art Museum, and Stacy C. Hollander, project director and the museum's senior curator.
At the time of the exhibition, Ms. Warren said, "It is an honor to be involved with this amazing exhibition and it was a pleasure to select examples of the quilts for the museum's permanent collection. We have known that many red and white quilts were made during the nineteenth and the beginning of the twentieth centuries, but this large collection allows us to study a much longer period of creativity using this color scheme and a much wider scope of design than was ever envisioned." Research on the collection was ongoing and plans were to produce a book and arrange a worldwide traveling exhibition.
The innovative and exciting display of the 650 quilts in the Armory space was created by the award-winning New York City exhibition design firm Thinc Design. Defying gravity, the quilts appeared to spiral in mid-air filling the enormous volume of the Drill Hall and creating circular pavilions that invited visitors to experience the quilts in a three-dimensional environment. Highlighted quilts were arranged on viewing platforms for closer appreciation. Incorporated into the floor-to-ceiling design were strategically placed benches and ottomans. A cafe and Museum Shop was available.
The exhibition was accompanied by a complement of daily educational events and programs for adults and children that were informative and appealing to experienced quilters, passionate collectors, and all those interested in art, design, folk art, Americana, and American history.
Super Stars: Quilts from the Collection
The exhibition “Super Stars” illuminates one theme in the textile masterpieces
that were displayed this year from their collection.
November 16, 2010 - September 25, 2011
"Quiltmakers have always sought inspiration from the world around them, introducing the outdoors into the domestic interior through bedcovers that may reflect the colors of the landscape, the imagery of flowers in a garden, or animal and insect life. Stars, some of the most important elements of the natural world, are also a beloved and enduring motif in American quilts. Stars appeared in pieced bedcovers as early as the eighteenth century and remain popular with quilt artists today. Their ethereal light has guided nighttime travelers on sea and on land; their faraway presence has become the stuff of dreams when pieced, appliquéd, or embroidered into the form of a quilt. “Super Stars” highlights the dazzling diversity of this variable pattern as interpreted through more than one hundred years of quilt artistry.” Stacy C. Hollander, Senior Curator.
Major support for programs and exhibitions at the museum’s branch location at Lincoln Square is provided by Joyce Berger Cowin.
Learn much more about stars seen on quilts and how they changed through time, from Stacy Hollander: Stars on Quilts
QUILTS: Masterworks
from the American Folk Art Museum
An impressive and comprehensive collection of glorious quilts
were on display at the main museum
The first installment was on view from: October 5, 2010 to April 24, 2011,
and the second from May 10 to October 16, 2011
QUILTS featured dazzling textiles from the museum's impressive and comprehensive collection. Characterized by a mastery of design, extraordinary color combinations, and innovative use of fabrics, these quilts reflected a spirit and energy that make them uniquely American. The exhibition focused on the visual power and historic importance of this artistic tradition and the many skillful women who gave it shape.
Selected by guest curator Elizabeth V. Warren, each quilt was chosen as a glorious example of its time, style, and technique. The inaugural presentation broght together approximately 35 major quilts drawn from the museum's holdings, some of which were significant new acquisitions and were on view for the first time. Also included were "old favorites," the recognized cornerstones of the collection, as well as several quilts that have rarely been exhibited. They were installed on three floors of the museum.
The museum's preeminent collection included all the primary forms and designs, from Tree of Life, a 1796 elaborately stuffed and corded whitework to More is More, a 1996 kaleidoscope quilt by renowned quilt artist Paula Nadelstern. On display were examples from the major quiltmaking traditions, including whole cloth, chintz, signature and album quilts; appliqué and log cabin quilts; Victorian "show" quilts; Amish quilts; Colonial revival and "kit" quilts; African American quilts; and contemporary quilts.
Among the quilts that were on exhibition for the first time were Slashed Star Quilt, featuring an unusual design motif; Log Cabin Quilt, Courthouse Steps Variation; Pieced Quilt, one of the many special bedcovers from Cyril I. Nelson's gift; Sunflowers and Vine Border, an early 19th century pieced and appliquéd quilt; and a group of doll quilts. Two noteworthy bedcovers of great beauty and historical importance that have rarely been exhibited are the Reiter Family Album Quilt and the Hewson Center Quilt with Multiple Border.
Several iconic quilts—such as the Bird of Paradise, the Harlequin Medallion Quilt, Double Wedding Ring, and the Flag Quilt—demonstrate the quality and range of the collection.
"Textiles were among the most valued family possessions until well into the nineteenth century. Based on the rarity of the fabrics, the fine workmanship, and their well-preserved condition, it is clear that most of the historic quilts in the museum's collection are examples of 'best' bedcovers, saved for use on special occasions or when company visited," notes Ms. Warren.
A lavishly illustrated, full-color book, QUILTS, written by Ms. Warren, with a foreword by Martha Stewart, and published by Rizzoli in association with the American Folk Art Museum accompanied the two-part exhibition. The book documents the 200 most important examples from the museum's esteemed collection.
The American Folk Art Museum has played an unparalleled role in advocating for quilts and broadening the discourse of this form within the larger picture of American art. In 1996, the first complete catalog of the museum's quilt collection was published. Glorious American Quilts: The Quilt Collection of the Museum of American Folk Art, written by Elizabeth V. Warren and Sharon L. Eistenstat, counted 398 quilts in the museum's holdings at that time. In the years since, the collection has grown in importance and breadth. Almost one hundred prominent quilts have entered the collection, very few of which have, up until now, been on public view, written about, or reproduced in print.
Elizabeth Warren writes more about the history of quilts and the Masterpiece exhibits: Quilts: Masterworks.
American Folk Art Museum
45 West 53 Street, New York, NY 10019, 212/265-1040
www.folkartmuseum.org
